Frankenstein portrait

Well the lockdown is stretching out far longer than I imagined. I am finding creating and gardening are making it bearable. The weather here in Ireland is still surprisingly sunny. I dont do hot weather so I neglected the garden today and went to the attic where the breeze it cool and I can still hear those lovely summer sounds. Ive been playing with lots of textures using paste, stencils and distress crayons - more Tim Holtz Live prompts.

He uses Idea-ology frames in lots of his demos. I love the look of them but I am always more tempted by inks and stamps when I shop. The packs of frames seem expensive in the UK and I think I would be too tempted to hoard rather than use them. I do have an old disintegrated photo album which has old frame windows. I took the plunge this week and covered it in paste and crayon. I had no idea what I might do with it when I started out. When it was finished I decided I wanted to frame the anatomised head. I cut  the page into two and got out one of my favorite stamp sets, "Cadaverous," yes they are all my favorites. I love the anatomised head and he does remind me of Frankenstein. I also used a prompt from an ephemera pack and made an advertisement for an old imaginary bookshop window, propped up infront of stacks of leather bound dusty books. Everyone creates in a different way often what I make is based on a story in my head.

The backgrounds for the stamped images were made with mixed media paper. I sprayed a little  distress ink stain in frayed burlap and antique paper and then spritzed it with water and blotted the centre to create space for the foot and head.

The images were stamped with embossing ink and embossed with walnut stain glaze and then watercolored with reinker. It makes it easy to wash colour over an image. the gloss repels the ink and it settles into the white spaces.

As well as using the album pages for the first time I used some tiny 'mini metal fasteners' screw heads to attach the booksellers sign. I didn't do much to the images as the frame was so textural and colourful. I left the images simple and understated.

I loved the way the crackle paste worked along with the distress crayons it was fun to do and so forgiving if you dont like a colour it just wipes off and it blends beautifully. There are lots of oil/wax colouring sticks Gelatos, Scribble Sticks and others but these are a joy to blend with and the colour stays perfectly vibrant. I love using them.

My garden will get attended to tomorrow but today I enjoyed the studio. Hope you are all enjoying your creative space and your gardens! Thanks for visiting and stay safe and creative xox

I think this qualifies as a "A Man Thing," as that is the theme over at Simon Says Stamp this week I am linking up with their Monday Challenge.

I am also linking up with Creative Artiste's Challenge which is Anything Goes.

Seth Apter Mini Book

This week I have been working on a tiny book. I joined in with an online workshop with Seth Apter.  With the current situation so many classes are now online. living somewhere without local craft shops and venues offering bookbinding and other paper craft workshops this is one positive effect of the virus. Opened up possibilities for me. Nothing is all bad. It is strange learning online but it is good to make something new.

I have made books before but the binding system was new to me and Seth is amazing at loosening up your inhibitions and encouraging experimentation. His class was very reasonable and he is such a gentle and clear teacher. I thoroughly enjoyed it and the two hours sped by. I have enjoyed collaging lots of tiny pieces onto the pages. I have used lots of tags, cards and backgrounds that 'failed' now these torn into tiny pieces are proving treasures and can shine in their new life.

I made an effort to use papers that I tend to hoard. The endpapers are old Graphic 45 Nature Sketchbook paper. There are some tiny snippets of Stamperia paper too. I bought it ages ago and have not used any.  I also used paper from 7 Gypsies Mariner paper. This book is only 2.5 inches square so it is easy to find places for lots of small scraps.

I also cut into my rub ons (Tim Holtz Idea-ology 'Remnant') I also tore up a beautiful illustration from an old dictionary or encyclopedia. it had illustrations of birds eggs in lovely subdued colours complete with fig numbers. I am not sure what is so satisfying about fig. nos. but I know I am not alone in being drawn to them I think I must have at least 5 stamp sets with them in.

 I used Izink Ice by Seth Apter, that golden colour is it. It is translucent gel like paint. Very satisfying to use. Its in a bag like cake frosting and you can put it on with a spatula. it drys really quickly and goes on easily over everything so its great to use on collages to pull elements together. I tried to play with some mark making and stamped  pieces of text or patterns to add details over the layers. It is very mediative making abstract work without a set outcome in mind.

I even managed to use some postage stamps. I have hundreds of them but I hardly ever think of using them. There is some gold embossing powder scattered throughout. I have been drawn away from my favorites
by Tim Holt's new glazes and all the techniques from his weekly demos but I had a lovely time drizzling and dipping into gold,  Rangers Antiquities - verdigris and Seth Apter's Baked Textures (Beeswax and Aegean sea).

That amazing bright green is more Izink Ice it really does look jewel like. Ive a tiny piece of one of my favorite tapes here too from Tim Holtz Design Tape - Remnants.

On some pages I ran some paper through the big shot to emboss it to add even more texture. I love the look of the gold embossed torn edge
on this page.

The final page and endpaper. I took my time and enjoyed each page. I am probably going to go straight on to making another one now this is finished. If you are interested in the workshop I will put a link to Seth Apter's page. I think it will be available soon or maybe even now.

Here is the spine, heavenly embossed in all the colours above.

The back cover (left) and front (right) The front was actually my first page but I decided the beeswax embossing made it to stiff so I used it as a cover and made another page for inside.

It is an age since I made a book so I am linking up with Mini album makers for their June Challenge.

As I have used up all my old background papers I am linking up with Simon Says Stamp Monday Challenge. Somewhere else I have not been for a while. They are challenging us to make your own background.

Thank you for visiting hope you are staying safe and well and enjoying your creative time.