Deep Sea Collage

The latest paper artsy challenge is "Baked Texture" which inspired me to get out my embossing powders and play. I love using embossing powder. it is like a form of alchemy turning dull grains into molten reflective magic. I love the unpredictable and invisible process of applying virtually invisible Versamark and then coating and melting the granules to discover what will happen this time. Anyone who has visited me much knows I love the new baked texture powders by Seth Apter and Emerald Creek. I only have Deep Sea and Vintage Beeswax but I have mixed in a few of my other powders to create different effects. First I covered the baseboard with a few scraps of sea themed paper and Paperartsy fresco paints in blues and greens. I misted a little dark green from an old ink spray that usually produces big splotches. There are a few dark speckles on the final piece but most of the base colours are not very visible and I didn't take photos, sorry. I was only intending to play a little when I started out. I have include lots of pictures of all the effects and details.

I knew I wanted to use the beeswax and deep sea. I had the blue book spine and the shell and two fish scraps. I tore out several nautical pages from an old almanack. I also inked a piece of seam binding and stamped some text onto it and I used one tiny piece of design tape. I stained and glued down some pieces of the book paper and then applied some rock candy in some areas to create crackle . While it dried I stained and embossed some of the book paper fragments.

Each piece of book paper ended up with a very different look with all the various media used. The top fish is sitting on a piece that had 3 coats of beeswax. The bottom one is on a piece stained with distress stain.

This piece has only one coat of the vintage beeswax. The pale blue under the beeswax is a touch of blue distress stain. You can see the deep sea baked texture clearly here at the top.

All the heating the embossing demanded was too much for the rock candy and some of it flaked off. You can see the effect above in the bottom left hand corner. It just added to the sea texture so it looked quite good. I used a coat of beeswax then a coat of the sea embossing mixture to create a deep blue sea under the bottom fish. The 'Sea mixture" is lots of Deep Sea Baked texture, a pinch of Wendy Vecchi Fern green and Sky blue and a slightly bigger pinch of Ranger Antiquities Verdigris. 

I love the way different elements float and emerge in and out of focus. The different coloured layers all affect each other just like underwater. The Deep sea under the Vintage Beeswax is much greener. The blue area at the top of this picture is  Deep Sea baked texture under the Vintage Beeswax and on top of blue distress stain. It is very hard to describe any collage without using terms associated with water drift, float, swim all work so well to describe the way the elements and layers sit together and move between each other. 

In this section the gilt publishing company name on the old book spine glimmers just under the fishes tail. I had not noticed when I began that the publishing house was called Nelson! The book paper lists the tides and Rear and Vice Admirals in keeping with the nautical theme.

I wanted to use antiquing cream to emphasise the cracks in the rock candy and create a contrast to all the creams, greens and blues. Red Oxide ended up suggesting coral which was a pleasant surprise.

I thought the whole panel was too dark so I added a touch of white. After randomly sprinkling in a few spots I added individual specks of white from a pot of Stampendous Frantage to create bubbles for the fish.


Adding this to:
Paperartsy challenge #14 Baked Texture
Country View Crafts Challenge Sun Sea Sand
Emerald Creek Great Outdoors #ECAUG2018
That's Crafty Animal Magic challenge

Seascape flag book Tutorial

Finally it was cool enough in the studio to return to my flag book. The bright sunny pictures show how hot it is. This photograph was taken at 8.00pm!

To make a similar flag book you need:
2 pieces heavy chipboard  6"x7" for covers
2 pieces of patterned paper 7' x 8" to cover the front and back covers
2 pieces of patterned paper 5 3/4 x 6 1/2 " to decorate inside the front and back covers
1  piece card stock (I used a blue colour to match my flags)  12 " x 6 1/2 "
Paper cut or torn into 6 strips lengths of approx 12" long x 3 1/4" high

The chipboard covers are each covered as separate pieces. I used some long horded 7Gypsies Mariner paper.

I added lots of deep sea Seth Apter embossing power to the edges of my covers

To make the spine I creased at; 1 1/2",  2 1/4",  3", 3 3/4",  4 1/2",  5 1/4",  6",  6 3/4",  7 1/2",  8 1/4",  9",  9 3/4",  10 1/2"  Folded along the creases to form an accordion with 1 1/2 inches unfolded at each end this is used to attached the spine to the covers.

The accordion spine is attached to the covers right up to the edge of the boards leaving a small space top and bottom. I forgot to photograph this step but check out the links below if you want to see detailed instructions. At this point I added patterned paper on the inside covers.

To make my flags I decorated 2 A4 pieces of paper. For the top row I tore the sheet into strips. I wanted a sky and horizon line. Using distress stains and inks to create a light sky with a range of blues I then added a darker horizon line along the bottom of the strips with salty ocean stain.

Once dry I tore the strips into shorter flags and added stamped details in manganese blue archival ink and clear embossing powder.

For the bottom row I wanted to suggest the depths of the sea.  I used distress ink archival ink and stencils on the whole sheet .

Again I then tore it into strips and stained the white exposed edges.

I added archival stamping with clear embossing to give it shine, layers and texture.

Finally I tore the strips into shorter flags and finished off the edges. Before gluing in the flags I finished the cover. I added more deep sea embossing to the inside covers.

The covers were then decorated with lots of stamping and clear heat embossing. I made an embellishment using a stamp from Paperartsy Eclectica ESA06 by Seth Apter. I stamped onto patterned paper, embossed and then edged it with treasure gold to create a metallic edge. I used this to attach a ribbon tie for the book closure.

The ribbon wraps around the closed book and ties on the front cover holding the book closed.

With the cover finished I then attached my flags.

If you want to try making a flag book you can of course simply use patterned paper or decorate your flags however you want.  Avoid media that is very dimensional as the flags have to move past each other and you dont want them to catch. Also you want them to lie flat when the book is closed. My book only uses two sets/rows of flags you can have as many sets/rows as you like. There are lots of tutorials for making flag books. Lizzy Wurmann has a good video; LINK or this tutorial on scrapbook-crazy.com is also good:  LINK

I am glad to be organised enough to join in with Mini Album Makers again this month HERE

Also joining Fashionable Stamping for the first time - their current Challenge #136  Seaside

Paper Boat on a Caribbean Sea

I have made things with paper and card since I was a little girl but origami still defeats me. I have tried it often but it really is not my forte - that is probably why I enjoy making paper boats it is the only folded form I can make with any success. When I noticed the May theme for A Vintage Journey was Words and Music I thought I would try a boat and use the song Caribbean Blue by Enya. This song was very much part of my early romance with my husband and I love music and the lyrics's imagery of sailing away to a blue sea.

I used a sheet of vintage music coloured with distress ink and perfect pearls.I also used lots of stencils to produce seaweed, bubbles and wave patterns. Once the boat was folded I stamped with archival and edged the boat with lots of my favorite Emerald Creek/Seth Apter embossing powder - in "Deep Sea" of course!

I decided to use the clean up wipe for making the sail as it was such lovely colours and had a great windswept shape to it.
Hope everyone is enjoying the balmy weather we have had here in Ireland, long may it last.

Simon Says Stamp  is also challenging everyone to make something Inspired by a Song link
A Vintage Journey Words and Music link
Also joining Creative Artiste Challenge #38

Graphic 45 Album

Album using Graphic 45 papers from the Artisan Style and By the Sea paper collections. This album was made for keeping pictures of my Dad who we lost recently. I made the album for my Mum. As she gets a bit confused I have kept to a very simple clear structure for the pages with just a few flaps and easy to spot pockets.

I think my favorite part of the album is this little book which holds some of his old passport photos.

I have tried to use papers that have meaning for my mum and Dad. As they live by the sea I have added some paper from the “By the Sea” collection.

My parents have lived in Spain for years, the houses on this paper remind me of Barcelona they look bright and sunny and very European.

I love that graphic45 make coordinating stamps for the paper. The sets for this collection (Artisan Style) are gorgeous and I have used lots of stamping on plain coloured cardstock to make photo mats and decorate the pages.

I could not resist turning the doors into a little photo spot. I have also used stamps to add paint brushes and music as Dad played the Guitar and painted all his life. He also wrote and loved books so pens and books appear throughout. He was a colourful character who lived a full and creative life and the bright rich colours of G45 paper reflect this. I am entering this in the Mini Album Makers Challenge for March. https://minialbummakers.blogspot.co.uk/

My first Paperartsy Challenge Nautical Colours2018 #5

I am excited to be entering in the PaperArtsy challenge 2018 #5 Nautical Colours.

Ive used: PaperArtsy crackle glaze, acrylic paint, distress ink, distress crackle paint, distress oxide ink, seambinding, thread, watercolour paper for the tag and stamps from; G45, Prima and some old unknown ones. I love the effect of the crackle from the PaperArtsy glaze.

Its flat enough to stamp over but gives great texture, with a really aged look after I sanded the edges and inked them with distress.