Creative Life in lockdown

The buzz created by the Tim Holtz LIVES is such an inspiration. Tim and Mario are creating a community during this difficult time. I have been mixing up the live demos with the Creative Chemistry classes. I have enjoyed the encouragement to play and experiment without any need to resolve into a "project." Its fun to let things slide a little, bit like working in your PJs, which is turning into the new norm these days. I have been working with tags, cutting them out of a range of papers. I have also been using instagram for quick posting but a blog seems to offer much more time to reflect on what you are up to.

Ive started to jump about a bit using the techniques I wanted to revisit rather than days in order. This is "Nostalgic Batik and then on the right Paint and Ink Monoprints from CC102. I have been playing with my stencils lots recently. I have got into the habit of using stencils to create subtle background layers by blending through them with regular distress ink but they are so versatile and can do so much more. Switching to paint or mono-printing with the negative of the stencil has been losening me up and showing me lots of new possibilities. Playing more is opening up lots of new possibilites.

The other thing I have tried to do is to revisit and try techniques I was not happy with first time around. Tim's Spritz Sparkle and Smudge Demo encouraged me to retry Smudge stamping and I was much happier with the results this time. I made one first following CC102 using regular distress ink but I also made one with distress oxide, (on right) so I could compare them. Not sure which I prefer? I actually stamped the bird in red originally and it did not stamp well so I went over it in archival black ink. It gave it a hint of 3D which I quite like. It was just stamped with a regular grid block not a platform. Some mistakes are discoveries!

I also had another go at Shabby Chic and Stencil Stamping techniques from CC102 and both of them were an improvement on my early attempts. I enjoyed playing with the skeleton from the Tim Holtz/stampersanonymous Cadaverous set. Remember the anatomised man in my last post? This was one of those sets I bought as I loved it but never made anything with. That is another good result from all the demos playing with lots of my neglected stamps. I think I used 3 sets on the yellow tag.

My favorite evening was spent stamping and watercoloring with distress markers. I got out another admired and under used TH/Stampers anonymous set,"Tiny Things." I made rows of ballerinas, fishes and birds. I loved this technique and became totally absorbed and entranced like the best of times at your studio desk.

I loved the wispy unpredictable effects of ink and water on your stamp. I would have happily carried on into the night but try not to work after midnight! Even writing this post I am thinking 'Oh I want to do more of that right now!'

I am sure for creative crafters the lockdown has given us much more time to create and all of the online inspiration has definitely been encouraging me to explore new techniques and play. I do hope you are all being inspired too.

Thank you for visiting, I love being connected and appreciate all your comments.  I have not been posting here as much but I have been posting on Instagram if you want to see more.

Returning to Creative Tim Holtz Chemistry 101

I am very grateful to be in a position to enjoy my free time at home without fear for my family or finances at present. I know I am not alone in valuing all this time we have had recently to enjoy more time for creating. There has been a wealth of inspiration offered online including lots of Tim Holtz live demos. He has been encouraging us to go make not let the moment of inspiration pass but make and share whatever we do. Its great to be encouraged to play and not worry about the finished project. To enjoy the process, the journey. Today I had a lovely day revisiting Tim Holtz's online classes for Creative Chemistry 101. Not the whole course in a day! Just day two and three.

Day 2.                                                                    Day 3.

Many of the techniques are now very familiar to most stampers. I won’t of course share the steps but revisiting the videos confirmed my feeling that these courses are so worth the money. Even years later I found new information and remembered details I had forgotten. They are a great creative prompt.

I got out some of my old stamps. Where I was practiced with the technique I pushed the designs a little beyond a simple sample. I also wanted to try most of the techniques with regular distress ink and then compare with oxide ink. I was curious to see which techniques would work well with the oxide inks.

Day two was Blended Distress/Spritz & Flick, Wrinkle-Free Distress and Brushless Watercolour. The Oxide ink results are on the left. The first two techniques I have used often so no surprises with either ink. When I first did CC101 I did not enjoy the Brushless Watercolour. I played more this time and loved it. 

I think the oxide ink was less like watercolour as the pigment doesn’t move just the dye but it is great to have two samples to make more informed choices when I pick a medium. I still liked the result with oxide.

Day Three: Stamping with Reflections, Alcohol Ink Agates, Archival Resist 

I skipped this day first time round as I had few of the supplies. The Agates turned out quite dark but I ran out of time today try again but I have plenty of time to try again. Its great weather for using your Alcohol inks, warm enough to leave the window wide open! This is on glossy paper I may try again on Yupo too. I liked the results of the reflections stamping but again I have played with the reflection stamps and embossing folders before so it did not surprise me. My favourite one this time was the archival resist. 

I loved the results of this technique with the regular distress ink, (on the right)  I think I may play with this a lot more. 

Hope you are all free to enjoy your playtime. I am interested to hear which techniques you all prefer. Wishing all a safe and creative time at home. 

Valentines card

Prompted by A Vintage Journey's Challenge "Your Hearts Desire" I got out my romantic colours, Valentines to me says pinks and reds.
I tried a few stencils straight onto a cream card base creating a patterned heart stamped with some text but I wasn't happy with it. I tried it on watercolour with a coloured background and red speckles embossed in red and gold but it just seemed too flat.

The embossing called for more layers and texture and seemed to suit a more vintage design. Heading off in another direction I cut some foliage with a memory box die and used paper from my stash to create a collaged heart to cover the original design.

I embossed a graphic 45 sentiment in gold on a rich red card. I glued the heart over the foliage so it framed it and finished off with the sentiment mounted on some foam tape. A few red speckles on the heart pulled the card together.

I wonder does Valentines day get more people making cards than Christmas? Christmas is so busy  and most of us do not need stacks of Valentine cards. Whether you are making cards or not a Happy Valentines day to all.

Thank you for all your comments I do read and appreciate each of them it is good to know you are not just talking to yourself!

Link for Vintage Journey Challenge

Oxide Ink birthday card

Got out some of my oxide inks to make a quick birthday card with a Crafty Individuals stamp set I love using. This card is intended for an Irish friend whos turning 60. Hares have a special place in Celtic mythology and are seen as magical and wise animals. In my mind anyone reaching 60 has the right to be considered very wise. The hares in these stamps are quirky but suggest the intelligence I equate with these animals.

I did start photographing the process while I began with smooshing oxide ink onto my mat and misting and dipping. I made a few extra pieces at the same time to use for my hares and sentiments.

Then some stencilling. I stencilled circles and then wet them and removed some ink to get a subtler effect.

At this point I got distracted and forgot to photograph for a while. I added some numbers using a stencil and Peacock Feathers oxide ink. Next I stamped a some random text in Manganese Blue archival ink. Happy now with my background  I stamped plants at the bottom in Potting Shed  Archival ink. I used the same ink to stamp the two lovely hares onto one of my spare background pieces and then fussycut them and edged them in brown distress ink. I had a little fun creating some embossing powder from a mixture of ancient antiquities Verdigris and Frantage Aged Aqua embossing enamel. I love the large white pieces that create a kind of splatter and it has also has blue glitter for a little magic. I stamped sentiments on more of my spare background peices and edged them with the embossing mixture. When I arranged them I decided it looked far too busy. Instead I used a small circle die to cut a hole in my card. Then I mounted the card on a larger peice of teal cardstock.

I die cut number 60 from spare smooched paper and glued it into the teal circle. The finished card front is attached to a pale blue card base and the sentiments are all stamped inside. It looks a little like hares are gazing up at a blue moon.

After choosing hares for their magical qualities I had to join in with the August challenge at That's Crafty whose theme is "Animal Magic."

I also think hares are quite wild enough to join in the "Wild Things" Simon Says Stamp Challenge this Monday.

Finally as the number 60 was the whole point of this card I am playing for the first time with Stampotique and thier current Challenge - "Number It"

Animal magic
Wild Things
Number It

Sweetbriar Paper doll

At last got time today to do some stamping and blogging. After a week where I got no time I had all weekend to craft. Of course once I was free I could not get back into it at all. Sometimes everything seems to turn to mush.  I especially wanted to join in the Paperartsy theme this fortnight which was paper dolls. With only 3 hours I got out my old Sizzix fairy die and cut out the pieces from watercolour paper. A short deadline is never a good thing for creating and  I threw several attempts in the bin.

These were decorated with oxide inks and a little archival ink in darker colours to add some script details.

I used Lynne Perrella's Sweetbriar stamp to make the head of my paper lady adding colour to the flowers in her hair. Happily then I found I had perfect purple brads to assemble her with.

Next I cut and inked a bodice from German book paper and a skirt in watercolour paper. I used similar colours to add colour and pattern to these.

It is not the doll I set out to make but then that is often how it goes. If I can steal enough time this week I will keep going and make a few more.

Thanks for your visit and hope your muse is flowing.

Im entering this in Paperartsy Paper Dolls topic
Joining in with happylittlestampers Anything goes with dies
And another die cut challenge at MOO-MANIA